Crone print 1 is a microplay within an image poem. The illustration (pen, ink, and wire on paper) creates the landscape the text navigates, and from this the poem emerges. The microplay then plays itself against the reality created by the poem. I consider this an experimental form of theatre in that it bends the conventions of a play text and how language performs through the collocution of the poem and play.

KATE MORRIS makes written, visual and performance work. She is obsessed with the active relationship of “witnessing.” Her favorite materials are ink, paper, bodies, duct tape, chalk, and textual boundaries.